HIGHLIGHT FEATURE | Pure Film Creative

January 23, 2022

The Crunchy Pretzels of Conflict Between Anglos and Euros in ‘1883’

The subtext about American cultural and racial relationships in Taylor Sheridan's prequel to 'Yellowstone' are intellectually weighty enough to be worthy of a dissertation....

By James Killough

January 1, 2022

HIGHLIGHT FEATURE

Oscars 2022: ‘The Hand of God’ and La Grande Tristezza

In his most personal film to date, Paolo Sorrentino is too timid, seemingly embarrassed of eliciting pathos. Otherwise, it could've been a masterpiece....

By James Killough

James KilloughFollow

Still smokin' by the fuel pump.

James Killough @james_killough·

'1883' is easily the most intellectually satisfying show out there. Worthy, meaningful, refreshing cultural conversation.

#1883official #paramountplus

https://www.purefilmcreative.com/highlight-feature/the-crunchy-pretzels-of-conflict-between-anglos-and-euros-in-1883.html

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James Killough @james_killough·

15 Jan

You really have it in for Pepé Le Pew, @nytimes, don't you? That's some sort of narcissistic obsession in itself. But isn't almost everything you've stood for socially the past few years?

https://www.nytimes.com/2022/01/10/style/love-bombing.html

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James Killough @james_killough·

2 Jan

So close to a masterpiece. If it weren't for masculinity...

#Oscars2022 #Netflix #Italian

https://www.purefilmcreative.com/highlight-feature/oscars-2022-sorrentinos-the-hand-of-god-is-a-grande-tristezza.html

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James Killough @james_killough·

26 Dec

Shame that @SalmonKromeDome is missing from this list, @clairlemon @Quillette. Easily your most eloquent, cogent contributor. Essays should also be judged for writing style, I feel. Many on this list are hard to get through for lack of grace. https://quillette.com/2021/12/26/quillettes-top-10-of-2021/

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James Killough @james_killough·

22 Dec

.@TabletHotels Thank you so much for the stationery Christmas gift. You have my undying loyalty.

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The Crunchy Pretzels of Conflict Between Anglos and Euros in ‘1883’

Oscars 2022: ‘The Hand of God’ and La Grande Tristezza

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