Ingmar Bergman and Sven Nykvist

Film Production: Why The DP is Your MVP

I’m mentoring a young friend through the process of writing and directing his first feature, which he’ll shoot in a year; he’s still in development tweaking the script before it goes out to cast. His executive producer, the former president of a major studio, said to him the other day, “Your cinematographer is the most important person on set after you.” I couldn’t agree more.

There’s nothing like working with a great DP, it makes all the difference in the world to the outcome of your film on many levels. The most important level for me is the personal, the experience of making a film. I don’t get to direct often, so when I do I want to enjoy it, to be carried away by, yes, the quasi-spiritual experience of creating something worthy in harmony with my crew, as cheesy as that might sound.

Tower of Silence by James Killough

‘Just Don’t Die in India’

During my early years in India, back in the late 80s, when I was writing the first feature film of mine that would go into production, I was invited to dinner at the home of a charming socialite in the Juhu area of what was then called Bombay. Some people say Juhu is the Malibu of Mumbai, but that isn’t being fair to either California or India. The only things that make the comparison viable are the location on the beach, the presence of film folk, and the insane real-estate prices. To be honest, the strongest shared quality is that the two names rhyme.

Irving Penn Scream

The Essential Art of Not Taking Offense

A recent controversy surrounding the stand-up comedy group All-India Bakchod (‘fuck senseless’) caused them to take down an inflammatory video of a roast they did from YouTube. My Hindi is intermediate, not good enough to follow Indian stand-up comedy, which is a huge pity: it is a cultural phenomenon that is rising like a fire-breathing dragon in the New India, a welcome appropriation from what I am henceforth calling the American Raj, our unstoppable cultural hegemony that digs deeper,