Life In Plastic, It’s Fantastic!

THE KILLOUGH CHRONICLES

by James Killough

There is something highly comical about cosmetic surgery of any kind, whether it’s just botox treatment or a full facelift.  Vanity is amusing. The vanity of middle-aged people is even more amusing; there is nothing funny about aging gracefully, but fighting it kicking and screaming with excessive nip and tuck and plump and freeze and augmentation can make for some visual slapstick.

Regrettably, transgender icon Amanda Lepore isn’t nearly as interesting as a person as she looks. In fact, she’s rather dull and kinda stupid. But maybe that’s just her reaction to me.

There are instances when plastic surgery is heroic, when it reconstructs a body after an accident or a birth defect.  But that isn’t the bread and butter of the industry, although if I were a surgeon, I would find the reconstructions and the defect corrections far more interesting and challenging than the fountain of youth stuff.  It goes without saying that, Amanda Lepore’s character aside, I consider sexual reassignments corrective surgery.

Matt Damon Gets Religion

Matt Damon and Emily Blunt think they are about to meet God and are appropriately slack-jawed at the prospect, as I would be. Actually, I'd be snickering while pretending to go along with the prank.

I take movies way too seriously.  I don’t mean the business of filmmaking, that’s too much of a surreal farce, like a performance of Ubu Roi in a never-ending loop with Harvey Weinstein, Scott Rudin and Steven Spielberg alternating in the role of Père Ubu.  I mean the movies themselves.  I’m constantly relating real life to cinematic reality, a sure sign of not-so-latent mental illness.  For instance, I might be in an animated conversation about my landlady, the Wicked Blais, gesticulating like a Roman trying to wiggle out of blame for a traffic accident, and I’ll say something like, “I’m just like Burt Reynolds in that scene in Deliverance when he’s down, his leg is broken, bone jutting out, and the rabid hillbillies are coming after him and he picks up his crossbow and …”  All of this is to say that while I know Matt Damon is only engaged in an extended game of adult Let’s Pretend when he makes a movie, I’m a bit concerned about two of his recent choices, The Adjustment Bureau and Hereafter.

I really loved the first twenty minutes of TAB. And I mean that: I more than enjoyed it, I loved it. I was smiling. I thought, Hmmm, this might shape up to be the intellectual challenge that Inception wasn’t.  Then they brought God into it, and I started fiddling with my Blackberry, itching for a game of poker. (I am way down right now, over a million dollars at the World Series tables, but that’s nothing compared to the fiasco a month ago when the damned thing reset and I lost thirty-one million in a nanosecond.)

Let me jump off the rails a second to talk about Inception.  I was expecting too much from a major summer release, I think.  My expectations were raised even more when I had a brief scene with a showcase Cali couple just outside the Arclight Cinerama Dome in Hollywood.

“Are you going to chain your bike right there?” the She of the couple asked.

“Uh, yes, that’s right,” I replied, resisting a retort like, No, I’m just practicing public displays of light bondage with my buddy Schwinn, here.  You know these Germans, so kinky.