Givenchy Finale

Secrets Travel Fast: Paris Fashion Week Spring 2013

Gentle reader,

Okay, so I’ve hardly watched anything on TV this past week except the first episode of Revenge which was fine except that the revelation that Victoria Grayson was still alive should have been a lot more shocking than just having Emily show up at the door of Victoria’s hideout on the pretense of helping free her falsely institutionalized daughter.  I mean, really?  If ABC doesn’t step it up, I’ll be forced to do a fashion addendum to Eric’s scathing critique of 666 Park Avenue.

Madeleine Stowe in ‘Revenge’

Much of the reason for my failure to keep up with the new TV shows is that I’m being forced to watch endless training footage on this season’s accessories from my design house’s Milan office.  I’m already a bit put out with Milan in general after the mess of last week’s spring 2013 shows but this really is the last straw.  The guy from the styling office is a handsome Italian with pretty eyes and just the right amount of scruff, but watching him pick up and put down those fucking shoes for two hours is just soul crushing.  When you add the nonsensical translation that seems voiced by a BBC News anchor who has suffered a stroke and is speaking perfectly pronounced English words in a completely random order, I’m surprised I haven’t downed a bottle of Drano by now.  Let’s see if I can do better in explaining next spring’s Paris collections.

It helps that we seem to be getting some clear messages again.  Black and white are major players in most of the important collections, Japanese influences are big and the circa-1970 ruffles and full sleeves that we saw at Gucci popped up everywhere.