REVIEW: With ‘Argo,’ the Film’s the Thing
As of this writing, Ben Affleck’s Argo is exceeding expectations at the box office, which is great news; this is probably the most important film about American foreign policy, specifically our devolving war with Islam, in recent memory. No, scratch the ‘recent.’ Make that just ‘in memory.’
Right from the start, using semi-animated storyboards and old photographs to aid exposition, Affleck ensures that both sides of the struggle between Iran and the U.S. are given a fair hearing. As the film flitted through images, guided by an Iranian-American woman’s voiceover, I was as impressed as ever at Hollywood’s ability to condense so much complexity into a series of pithy loglines that can be instantly understood even by those with no knowledge of what Iran’s modern history has been or, more importantly, what our nefarious role was in causing the Islamic Revolution.
