Pasolini Salò 120 Days of Sodom

Sadistic Cinema: Is It Fun Being Disturbed?

Like people who eat nuclear-grade hot wings or force themselves to watch entire episodes of Whitney, some moviegoers like to be permanently damaged by their entertainment choices. It’s not enough to jump at scares or be repulsed by bloodshed. They want to walk away disturbed.

Disturbing movies are those that challenge you to keep watching and sometimes make you feel grimy when you do. I’m not talking about the cartoonishly sadistic violence of Saw movies and their outlandish set pieces. I mean the ones that stay with you for a long time (kind of like your wife’s relatives from overseas).

Endless Sommer

BAKER STREET

 by Eric J Baker

I am not God, which irritates me considerably. I know I’d be a lot better than the one currently popular. My godship would promote more sex and less guilt, and I’d let you eat as much as you want without getting fat. I’d also introduce another big change: Goddesses. Lots and lots of them. Seriously, why don’t we have any goddesses? Given how obsessed he is with marriage, you’d think God would at least have a girlfriend. You know what? I bet he’s gay.

Hey girls, did you know smoking will give you a body like Elke Sommer’s?

Since I’m not God, I can’t do anything about the back injury that’s kept me home from work the past couple of days. What I can do to pass the time in this incapacitated state, though, is indulge my taste for ‘60s and early ‘70s European cinema. And in the course of catching up with some of these films, I’ve fallen in love – not for the first time – with German-born beauty Elke Sommer. If I were to start making goddesses for my godship, I’d have a pretty good template there.