Young Orson Welles

Filmmaking: It Never Pays to Be an Asshole

I had a blast yesterday on the set of what should have been an arduous student-film shoot I was mentoring. The location was outside Barstow, in the high desert midway between Las Vegas and Los Angeles. It was total Breaking Bad territory — you almost expected the occasional BOOM! of a meth lab exploding in one of the trailer parks that dotted the lunar landscape.

A lot of the fun was set early in the day by Tabi Farnsworth, the owner of the “picture car” that was being driven on camera by the protagonist of the short film. An eighty-one-year-old former hairdresser who has redefined ‘flamboyant’ by being the human equivalent of a fizzy ice cream soda, Tabi insisted on driving it to the location himself,