Don Draper Episode 8

‘Mad Men’ and the Need for Speed

Last night’s disturbingly hilarious, pitch-perfect episode of Mad Men, entitled The Crash, had me thinking about speed—not the vroom-vroom engine-powered kind, but the drug in its various forms—and the creative process. After a wild opening that features account exec Ken Cosgrove on a symbolically dangerous, drunken joy ride in Detroit with managers from GM, the episode lopes—with a lack of lackadaisicalness uncharacteristic for the show—into a scene in which almost the entire creative team is dosed

Jon Hamm as Don Draper

‘Mad Men’: Let’s Get Metaphysical

If you look at Mad Men as pure entertainment, it simply isn’t.  Well, maybe if you’re an art director or costume designer it is.  If you look at it from an intellectual point of view, then season six is kicking off as hands-down the most philosophical series on TV.  Not that there’s much competition, except for perhaps Breaking Bad, but even that has too many gangsta moments to match the metaphysical meditation that Mad Men has become.

The new season opens with Don Draper on the beach in Hawaii (i.e., paradise) reading the opening canto of Dante’s Inferno:

A Cupcake War

THE KILLOUGH CHRONICLES | REVIEW

by James Killough

Our token Str8 contributor Eric Baker was clearly trying to brown nose and suck up to the Gheys — never something to do literally unless you’re in prison and have run out of cigarettes/need protection — by bemoaning the fact Beginners wasn’t playing in a mall near him in Jersey, so he couldn’t review it, much as he was apparently aching to see it.  Beginners stars Ewan McGregor and Christopher Plummer as a son coming to terms with his father coming out at some ungodly age, like eighty-five or something.  It has chatty indie quirky feel-good Sundance Festival flick written all over it, which means I’m likely to hate it.  I’d rather spend my $13.50 at the Arclight Hollywood getting value for money with the new Harry Potter.

Let's face it, "Trainspotting" is still the best film McGregor has ever been near.

One should never forget that the Sundance Festival was started by Robert Redford as a showcase for indie American films because they weren’t getting into the Cannes Film Festival.  Not even into the sidebars at Cannes.  With good reason.

Just Shoot The Bitch, Already

Very aptly, I am the son of a Mad Man.  In the 60s and 70s, my father was with one of the larger ad agencies that are referred to from time to time in the dialogue of Mad Men.  He accepted a position to head up the Italian operations of that agency, the purview of which was expanded over time, but we the family were based in Rome while he traveled around.  The real reason we were there is probably because the US was afraid to lose Italy and France to the communists during the 70s, so we sent some of our “businessmen” over there to help bolster the interests of democracy.  If I were in a pitch meeting and had to do a mash up of references to describe Dad, it would be Mad Men meets The Good Shepherd.

If Dad has a quibble with the authenticity of "Mad Men," my only problem with "The Good Shepherd" is the women in my world just didn't look like that, which means it was eerily real.

I won’t delve too much into The Good Shepherd aspect because much of it is conjecture, albeit conjecture based on high probability.  Dad has expressed a desire in this last chapter of his life to tell me his story, and I would like him to feel free to do so without fearing that it’s going to end up in a blog side by side with some willfully salacious anecdote that involves sodomy, haute couture and Class A drugs.  Suffice it to say, there is a reason the period we lived in Rome is referred to as the anni di piombo, “the years of lead,” referring to the flying bullets and the bombings that seemed to be a part of our daily lives.  After we left in ’79, things calmed down in Italy considerably.  Hopefully that was just a coincidence.