Scarlett Rouge and Giovanni

SCARLETT’S LETTERS: 63 Ways to Say I Love You

Dear James —

Have I been MIA? Where have I been and what have I seen, and is it really worthy talking about?

When I tell people about all my travels the refrain is invariably, “Oh, you lead such an exciting life!” But globalization, as far as I’m concerned, simply means longer commutes to work, sprinkled with maladies from recycled air that of course have to blossom when I am on “a vacation” with, yes, my new lover. However, our destination is where he also happens to be working. We barely see each other except between the sheets.

Since we last spoke I went from LA to Paris.

Joel-Peter Witkin

SCARLETT’S LETTERS: Dancing in the Garden of Earthly Delights

Dear James —

It’s been brought to my attention recently, or maybe I should say I have recently been reminded, why I don’t drink hard alcohol. You might have seen me — unluckily or luckily, depending on what you fancy — a couple fashion weeks ago at the Yoyo Club in Paris. I drank vodka as if it was spring water from Lourdes, then got on the DJ stage and danced a kind of striptease in my pink ruffled silk Rick Owens dress. The security guard gracefully tried to remove me from my adoring audience,

Scarlett Rouge Backstage Rick Owens

SCARLETT’S LETTERS: A Secret Homelessness

Dear James —

I am walking. Walking. The runway is endless. Literally, it’s a marathon with only one row of seating, and mass of bodies clustering behind it. We were told to run, twice through, while keeping our cool. I’m wearing what hasn’t been seen before. Slightly afraid the Egyptian-esque tubular hat will fly off my small head. This is not my first time strutting down the catwalk; still, adrenaline kicks in, helps me keep up pace.  Adrenaline encourages me. All you got to do is walk. The world’s fashion elite are watching me. Watching as I walk. Flashes from their little snappers.

Michele Lamy

Scarlett’s Letters: Partying Like a Hun

Dear James —

My Mum, a.k.a. ‘the Hun,’ started throwing parties long before I came along, and for as long as I can remember; literally, my first cognitive memory was somewhere between the age of one and two, or maybe it was near two o’clock in the morning? In any case, my bedroom door was slightly open, the glow and melodic chatter of a happening party seeping through the crack. I was standing, holding onto the edge of my crib, screeching at the top of my lungs, overwhelmed by an urge to join in the festivities and fun. If this event is so well imprinted into my memory bank it’s because I can clearly recall the feeling of fresh pooh in my diaper bouncing along to the rhythm of my discontented feet. (TMI? We’ve all crapped ourselves, darling.)

What I was later told, yet have no recollection of save for in imagination and dreams, was that on nights like these the Hun would gather me and sit my down in front of a VHS of Blade Runner,

Legendary French actress Annie Girardot

Remembering Annie—Part Two

Please read part one first, or this will make zero sense.

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We were on a family vacation in Florida when they told me Oliver Stewart had died—“We have some bad news for you, James: Your friend Oliver is very sick…  actually, he’s dead”—but I didn’t shed a tear.  It didn’t surprise me; I’d done my mourning already in the bathroom of Jules Feiffer’s apartment nine months earlier.  Or maybe shock numbed all normal emotion.  God knows, I can still cry easily enough about it today.

Had we been in New York, I might have made it to the funeral, but it was too complicated to get me to Rome from Florida on such short notice.  As a consequence of not burying him properly, for years I subconsciously believed that Oliver’s death was just another one of his pranks.

The Fascist John Galliano

Spanking Galliano

Killough remembers the time he caused John Galliano to be spanked.

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by James Killough

Seeing that I will never work with John Galliano, there’s no point in waiting until we get my play Hatter up and going in London later this year to tell my story about how I caused him to be spanked.

For those of you just catching up with this blog, Hatter the play is based on a screenplay of mine, about which one of Galliano’s own people, who I imagine is no longer one of his people, once said, “is the only script ever written that is truly about the fashion business.”