Peter Sarsgaard The Killing

ICYMI — Filming Wrong So Very Right

We were upset by The Newsroom episode two weeks ago that had a secondary plot line about Troy Davis‘s institutionalized killing by the the State of Georgia in 2011 — he was in all likelihood innocent. There are myriad problems with capital punishment, but getting it wrong is probably the worst of them.

Little did we know that we were in for a double whammy on the death penalty issue within a week. Those of us who also follow AMC’s The Killing were hoping against hope that Peter Sarsgaard’s character, Ray Seward, would get a last-minute reprieve

Cate Blanchett

REVIEW: ‘Blue Jasmine’ Isn’t a Return to Form. It’s a Reinvention.

I don’t read reviews or production notes before I see films, so it wasn’t until almost the end of Woody Allen’s Blue Jasmine that I realized it was inspired by A Streetcar Named Desire. Allen has done a number of homages to other filmmakers or based his movies on classics, but this is a jazz riff so accomplished that it transforms a disturbing meltdown into a pleasant experience.

Mireille Enos

‘The Killing’ and the Unlikely Rise of Mireille Enos

I’m an even bigger anomaly than the actress who is the subject of this article: I had absolutely no problem with the pacing of seasons one and two of AMC’s The Killing, which ambled along a staggering twenty-four episodes just to solve a single murder. While other TV wonks around the Internet were huffing ‘Good riddance!’ when the show was cancelled, I whimpered a little inside;