The Hand of God Review | Pure Film Creative

January 1, 2022

Oscars 2022: ‘The Hand of God’ and La Grande Tristezza

In his most personal film to date, Paolo Sorrentino is too timid, seemingly embarrassed of eliciting pathos. Otherwise, it could've been a masterpiece....

By James Killough

James KilloughFollow

Still smokin' by the fuel pump.

James Killough @james_killough·

15 Jan

You really have it in for Pepé Le Pew, @nytimes, don't you? That's some sort of narcissistic obsession in itself. But isn't almost everything you've stood for socially the past few years?

https://www.nytimes.com/2022/01/10/style/love-bombing.html

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James Killough @james_killough·

2 Jan

So close to a masterpiece. If it weren't for masculinity...

#Oscars2022 #Netflix #Italian

https://www.purefilmcreative.com/highlight-feature/oscars-2022-sorrentinos-the-hand-of-god-is-a-grande-tristezza.html

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James Killough @james_killough·

26 Dec

Shame that @SalmonKromeDome is missing from this list, @clairlemon @Quillette. Easily your most eloquent, cogent contributor. Essays should also be judged for writing style, I feel. Many on this list are hard to get through for lack of grace. https://quillette.com/2021/12/26/quillettes-top-10-of-2021/

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James Killough @james_killough·

22 Dec

.@TabletHotels Thank you so much for the stationery Christmas gift. You have my undying loyalty.

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James Killough @james_killough·

22 Dec

.@accuweather Is there a glitch with the letters above the daily forecast for mobile devices? The days also seem mixed up. Maybe I'm wrong and just confused. See attached.

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Oscars 2022: ‘The Hand of God’ and La Grande Tristezza

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