Designer Mary McFadden

There’s Nobody Like Mary—Part One

It wasn’t even much of temptation to call this piece There’s Something About Mary because not only would that be cliché, it would be inadequate to describe the force of nature who has been one of my best friends for most of my life at this point.  In honor of the release by Rizzoli of her visual autobiography Mary McFadden by Mary McFadden, I thought I’d allow myself to remember some of those years together, particularly seeing as I worked on a very early iteration of that book twenty years ago, which I called Opus, but Mary didn’t, preferring the simpler “my book” instead.

Maybe at some point I’ll explain why that version of the book was abandoned; it is appropriately dramatic, so much so that perhaps Opus fell short, and Grand Opera would have been more on the mark.  But the collapse of that project was quite a few years after the beginning of our relationship.  I’m certainly glad it has finally seen the light, and apparently been given the full Rizzoli treatment worthy of one of our National Living Treasures.

Out of His Depp

THE KILLOUGH CHRONICLES | REVIEW

by James Killough

Without knowing the exact insider gossip behind the release of The Rum Diary, I can only take a somewhat educated guess as to what’s created this mess at the Mad Hatter’s tea table.

Has to be botox. HAS to be.

The film has three credited financing companies, but I imagine there is a fourth: Johnny Depp himself, a longtime friend of Hunter S. Thompson’s, who no doubt magnanimously overpaid for the rights to the novel, and wants to see his money back, which is why his has thrown his considerable weight behind the film’s PR: a Vanity Fair cover article; pieces he wrote himself for The Daily Beast and others; and a rather forced, not-very-funny “viral” video with Ricky Gervais. Otherwise, Depp has suffered a mild psychotic break and actually believes this piece of absolute tripe is worthy cinema.

Royce from Royce and Marilyn

In Search of Royce and Marilyn

This post is dedicated to Jonathan Kemp, whose latest book Twentysix has just arrived from the printers and is available on order from Amazon.  It’s twenty-six prose poems about random sexual encounters, or it was when I read an early version of it.  When we were a couple, I made Jonathan write me in as one of the stories, but I might not have made the final cut; I wasn’t exactly a random encounter, nor am I exactly prose-worthy in bed.  (This just in: Jonathan’s first book, London Triptych, is available as of today in the US.)

A couple of years ago, Jonathan sent me this video as a sort of birthday card.  It’s mandatory viewing to follow the rest of this post:

The moment the video was over, my mouth was agape and little cartoon hearts could be seen popping joyously around my head.  I’ve known many aging alcoholic drag queens in my day, but none could surpass Royce, even if she is a real woman.  This wasn’t mere bitterness or curmudgeonry, Royce’s was cuvée de prestige vitriol of the finest vintage.  I watched it over and over and over again.  My roommate at the time was a big burly gay plumber named John Wood, who is more masculine than any straight man I’ve ever met, like something Tom of Finland could at best imagine and draw as a cartoon, but would never meet in real life.  He and I stomped around New York belting “Oh, just SHUT UP!  You know nothing!  God on a wheel!” for an entire August, until one day John said, “We need to stop.  I think we’re annoying people.”